Principaisobras de Tarsila do Amaral . A obra de Tarsila do Amaral é bastante vasta. Aqui apresentamos alguns de seus trabalhos mais relevantes. 1. A Negra (1923) Imagem: reprodução 2. Manacå (1927) Imagem: reprodução 3. A Lua (1928) Imagem: reprodução 4. O Ovo (1928) Imagem: reprodução 5. Abaporu (1928) Imagem: reprodução 6
Inthis painting, Tarsila is bridging her training as a modern painter in Paris in the 1920s with her rediscovery of Brazil. A Cuca, which means “critter,” is a complete stylization of the natural exuberant landscape. In a letter to her daughter in 1924, Tarsila mentioned this painting. Artist, Tarsila do Amaral (voiced by curator Karen
FromBy Kamy, Tarsila do Amaral, Tapestry Tarsila do Amaral - Morro da Favela (2016), Wool, 110 × 137 cm
Tarsilado Amaral (Capivari, Brazil, 1886 - Sao Paulo, 1973) Pencil drawing on paper. 17 x 11,8 cm. MartĂ­n CererĂȘ catalogue, page 72 nÂș 11. Catalogue raisonnĂ©: D1398. Tarsila do Amaral was the most important representative of modernism in Brazil. In February 2019, the MoMA in New York acquired the painting "A LĂșa" for its collection.
Brazilianartist Tarsila do Amaral painted AbaporĂș in her SĂŁo Paulo studio early in 1928. It depicts a seated nude figure in profile who is of ambiguous age, gender, and race. His bare right foot and hand are firmly planted on the ground. His right knee is bent towards his chest, obscuring any view of a left leg or foot.
Capivari Brazil, 1886–São Paulo, 1973. Tarsila do Amaral was one of the foremost visual artists of Brazil’s modernist movement during the first half of the twentieth century. With her partner, the poet Oswald de Andrade, Tarsila, as she is popularly known in her home country, was actively engaged in the 1920s in the development of a new
Tarsilado Amaral (Capivari, 1 de setembro de 1886 — São Paulo, 17 de janeiro de 1973) foi uma pintora, desenhista e tradutora brasileira e uma das figuras centrais da pintura e da primeira fase do movimento modernista no Brasil, ao lado de Anita Malfatti. Seu quadro Abaporu, de 1928, inaugura o movimento antropofágico nas artes plásticas.
In1928, Brazilian artist Tarsila do Amaral premiered the painting A Lua (The Moon) in Paris. Combining aesthetic elements of the Parisian avant-garde art scene in which she was immersed and Brazilian Directedby: Meryam Joobeur. Written by: Meryam Joobeur. Produced by: Maria Gracia Turgeon, Habib Attia. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. ‘The Moon’ was created in 1928 by Tarsila do Amaral in Naïve Art (Primitivism) style. Find more prominent pieces of

Curator Luis Perez-Oramas: In February 1924, Tarsila went alongside her husband, Oswald de Andrade, and her friend, the Swiss poet Blaise Cendrars, to Rio de Janeiro where they attended the festivities of Carnival. For that festivity, the people of Madureira (a neighborhood in the outskirts of Rio) had built a reproduction of the Eiffel Tower

Tarsilado Amaral 1925. Casa Guilherme de Almeida Sao Paulo, Brazil. The work is part of a period of transition between "Pau-Brazil" and "AntropofĂĄgica" fases of the artist. The composition, based on symmetry, geometrizes elements of nature and uses color in an unusual way, one of the characteristics of Tarsila's work.
Tarsilado Amaral, (Portuguese pronunciation: [ ˈa.ma.ÉŸaw] September 1, 1886 – January 17, 1973), known simply as Tarsila, is considered one of the leading Latin American modernist artists, described as "the Brazilian painter who best achieved Brazilian aspirations for nationalistic expression in a modern style." She was a member of the "Grupo dos
Tarsilado Amaral was a Brazilian painter known for her contribution to Brazil's 'Cannibalist' movement. Regarded as a pioneer of modern art in Latin American, do Amaral provided a unique perspective on the modernist art movement of the mid-20th century. Her richly coloured paintings incorporate elements of Cubism and Latin American iconography.
Tarsilado Amaral (Capivari, 1 de setembro de 1886 — São Paulo, 17 de janeiro de 1973) foi uma pintora e desenhista brasileira e uma das figuras centrais da pintura brasileira e da primeira fase do movimento modernista brasileiro, ao lado de Anita Malfatti. Seu quadro Abaporu, de 1928, inaugura o movimento antropofágico nas artes
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